Monday, June 8, 2015

Antiques Roadshow: the 20th season

I just returned last night from the second city of filming, Spokane, for the 20th year of Antiques Roadshow. The show films in the summer (this year in six different cities around the country), the takes are edited and episodes put together and finally aired beginning in January of the following year.


This anniversary season certainly got started with a bang, for just before we opened our doors for the thousands of clients to bring in their objects to be appraised, a small fire was discovered on set!


The first stop was in Tuscon (on May 30th) and as I was about to jump on the van to take me to the convention center, at 6:15 in the morning, a producer rushed up and told the van to take her to the set right away, leaving me stranded behind. I soon learned that a battery had started a fire on the set, Luckily, it was discovered almost immediately and, because of the quick thinking of our head of security, Sean Quinn, was put out with relatively minor damage to the set and no harm to any people or priceless objects.


Still, the fire made a mess, with smoke and ashes covering the set. The crew of the Roadshow and the convention center did a remarkable job of clearing things up and we got started only about 2 hours late. Of course, since we are usually filming for about 12 hours, we were on set until 9:30 that night, but everyone was amazed at how well the day went after that rather unusual start.


Last weekend we moved on to Spokane, Washington, where the filming went on in a more normal way. As at every stop, the crew and appraisers did an amazing job of running thousands of people with objects of every age and size through the process of, first, getting to the right appraiser, then getting their appraisal, and in the case of those few "special" items selected for possible airing, having their appraisals filmed.


Looking back on my 19 years of working as a print and map expert for the show, I am amazed at how it is still fun and often exciting to do the show, despite the extensive travel and long hours. After all these years, the show now has a stable of regular appraisers and we have gotten to know each other very well, spending a "fair bit" of time together in the bar and restaurants after the show finishes. It is also remarkable at how patient and friendly are all the guests, many who have to wait hours to see us, only to be told that their items have mostly "sentimental" or "decorative" value.


The people I spoke with in both Tuscon and Spokane were terrific and I saw a good number of interesting and wonderful prints and maps. I was filmed in both cities, so if the segment comes out well, you'll be able to see the result sometime next year. In the meantime, however, keep watching this year's shows (filmed in the summer of 2014). In Chicago I saw some great stuff and those episodes will be run for the first time this coming fall.


Tuesday, May 26, 2015

Poor Utah: The Black Sheep Territory

Mormons have been controversial since their founding in 1830. This was in part because of the peculiarities of their religion, in part because of the insularity of their social lives, and—perhaps as important as any of these factors—because of their practice of polygamy. Due to local conflicts, the Mormons were forced to move a number of times from places they tried to settle, culminating in 1839 in an attempt to found their Zion on the banks of the Mississippi at what became Nauvoo, Illinois.


Tensions continued, however, with those in the surrounding region harassing the Mormons and in June 1844, with a mob actually murdering the sect’s founder, Joseph Smith. Violence against persons and property continued in the following year, so that finally Brigham Young, the new leader of the Church of Jesus Christ of Latter-day Saints, decided that he would lead them west to a place where they could be practice their religion without interference, free from the prejudice and violence they had always faced.


In February 1846, the Mormons crossed the frozen Mississippi and over the next year moved slowly across Iowa, finally settling in what became known as “Winter Quarters” in the Nebraska Territory, across the Missouri River from Council Bluffs. Young’s ultimate goal, though, was further west, in the Great Basin which at the time was part of Mexico. This remote area was essentially unpopulated and was far away from any government or other settlers.


In April 1847, the Mormon’s headed west along the California Trail, arriving in July of that year. They immediately beginning to build their new community by the Great Salt Lake. In 1847, about 1,600 Mormons arrived there, followed the next year by 2,500 more, and then thousands more in the next decades.


Brigham Young wanted to create a wide spread Mormon community, sending out settlers throughout the Great Basin, and he wanted the entire Great Basin to be politically run by the Church. His plans became more difficult when, as a result of the treaty which ended the Mexican War, what had been Mexican territory because U.S. territory in 1848. In 1849, Young sent a petition to Congress to create a territory of Desert (the name derives from the word for “honeybee” in the Book of Mormon), which would have extended to all the lands lying between the Rocky and Sierra Nevada Mountains, from Oregon Territory in the north and Mexico in the south.


At that time, the citizens of the other areas acquired by the United States as part of the Mexican Cession of 1848, California and New Mexico, were applying for their admission as states, so Young soon modified his application to Congress for Desert to become a state instead of just a territory. He and the elders of the Church meanwhile drafted a state constitution and set up a provisional state government, so that they would have the wheel of power when the new state was created.


Congress definitely had an unfavorable view of the Mormons, with most Congressmen finding the religion heretical and polygamy reprehensible. This anti-Mormon feeling meant that there was no chance that Young’s proposed Desert would be realized. Instead, in 1850, Congress broke the Mexican Cession into three parts: the state of California, and the large territories of Utah and New Mexico. Utah extended from the continental divide to the Sierra Nevada Mountains, separated from New Mexico at the 37° parallel.


Interestingly, Young did not give up on his hope for a Mormon state of Deseret even after the new territorial government was set up. Young and the elders met for almost ten years in a shadow government, which ratified all the laws passed by the territorial legislature, so theirs could be created as the official government if the state were ever created. Young petitioned for the state again in 1856, 1862 and finally in 1872, but it never came to pass.


Despite this disappointment, Brigham Young and the elders did dominate the Utah territorial government and this began to lead to new tensions as non-Mormons moved into the territory. There were complaints about the theocratic rule of Utah and also about the continued practice of polygamy. This spurred the U.S. government to send troops to Utah, causing the Mormons to react as though they were being invaded.


The upshot of this was the “Utah” or “Mormon War,” which lasted from May 1857 to July 1858. There was considerable posturing and some skirmishes, with the greatest loss of life occurring when a party of California-bound emigrants were killed by a group of Mormon militiamen in what is now called the Mountain Meadows massacre. Eventually an agreement between the Mormons and the federal government led to Young giving up his governorship, though the Mormons were able to retain their operative control of the territorial government.


All of this set the scene when events began to create a need for the division of the large southwestern territories into smaller units. The Utah territory, effectively run by the Mormons, was definitely not popular with Congress, which was able to show its displeasure over the next decade. Utah and New Mexico were huge territories and as new populations moved into them, the new settlers began to demand regional divisions so they could control their own affairs with a local government. Between 1861 and 1868, Congress did create new territories out of parts of Utah and New Mexico. Not surprisingly, as Utah was apportioned, none of the divisions favored the Mormon-led government of Utah.


The division of Utah was a direct result of the movement into the region of gold and silver seekers. In 1859, a major discovery of silver—what came to be called the Comstock Lode—was found on the east side of the Sierra Nevada Mountains in far western Utah Territory. Miners poured into the area and these were definitely dissatisfied with being under the control of the Utah Territorial government. Not only was the center of the government located almost at the other end of the territory, in Salt Lake City, but these miners were for the most part strongly anti-Mormon. They soon petitioned for the creation of their own territory out of the western part of Utah.


Though many in Congress were favorable towards the notion, the creation of such a new territory was at first impossible. A new territory created out of western Utah would almost certainly prohibit slavery, both because it was north of the original Compromise of 1850 latitude line of 36°30’, but its citizens were also anti-slavery. The southern Congressmen were unwilling to allow such a new free territory and so an impasse was reached. However, when all the southern Representatives and Senators left with the beginning of the Confederacy in early 1861, the remaining Congressmen were easily able to create the territory of Nevada on March 2, 1861. This territory was created out of all that part of Utah west of the 116th meridian, about one third of the original area of the Mormon-run territory.


This, though, was not the only land which was taken from the Utah Territory in 1861. The silver rush in Nevada was paralleled on the eastern side of the Rocky Mountains when gold was discovered in 1858 near the confluence of the Platte River and Cherry Creek in far western Kansas Territory. This led to the “Pikes Peak Gold Rush” and a heavy influx of miners in such new communities as Auraria, Denver City, and Golden.


Similarly to the miners in what became Nevada Territory, the settlers along the Front Range were unhappy with what was their very distant government, located at the other end of the Kansas Territory, well to the east near the Missouri River. They also petitioned to Congress for a new territory; one group tried to create the territory of Colona and one to create the territory of Jefferson. For the same reasons that Congress was unable to act on the petition of the settlers on the east slopes of the Sierra Nevadas, it was also unable to act on the petitions of either of these Front Range groups until early 1861, when the new territory of Colorado was created.


Colorado mostly was created out of the western part of Kansas, but it also got some land from the northern part of New Mexico, the southwestern part of Nebraska, and, naturally, the eastern part of Utah. Kansas Territory had extended west as far as the continental divide and many of the initial proposals for breaking off a new territory also were limited to that western border, but when Congress did create Colorado on February 28, 1861, it was extended well west of the divide, taking up all of eastern Utah as far as the 109th meridian. Just to add insult to injury, the small northeastern triangle of Utah—between the 110th meridian and the continental divide, north of 41° latitude—was given to Nebraska Territory.


Things didn’t end here for poor Utah. In 1862, silver was discovered in the western part of the shrunk-down territory, in what would be the Reese River Mining District. Congress didn’t hesitate in deciding to move the border of Utah one more degree east, so these new mines would be in Nevada. On March 1863, the Utah western border was moved one degree further east, to the 115th meridian (note how on the bottom map above the border runs right next to the "U" in "Utah," as compared to the map above).


Just three years later, essentially the same thing happened again. Beginning in 1865, a rumor appeared concerning new mineral riches, including perhaps the legendary silver mountain, located in what was then western Utah, in an area which would become the Pahranagat Mining District. It was not known at the time whether this area was located in Nevada or Utah, so in order to be sure, in 1866 Congress once again shifted Nevada’s border one degree further east, to the 114th degree line.


Not done with their work, that same year, another chunk of the northeastern part of Utah was bitten off—the lands lying north of the 41° and east of the 111th meridian—and given to the new Territory of Wyoming.


So, from 1861 until 1866, Utah Territory lost well over half of its land through acts of Congress. It was too large to be governed practicably when first created, but much of the reduction in size had to do with Congressional bias against the Mormons. This bias is further evidenced by the fact that Nevada Territory, created in 1861, became a state only three years later in October 1864, whereas Utah Territory, created in 1850, didn’t become a state until almost half a century later, in 1896! This, naturally, happened only after polygamy was renounced in the territorial constitution that year.


Monday, May 11, 2015

20th Century Pictorial Maps

Maps have long had a pictorial element to them. Maps can, of course, be fairly “cartographic” in appearance, using lines, dots, contour lines, and other symbols, but for centuries other maps have been more illustratively graphic.


Pictorial images have been scattered about their surface from as early as fifteenth and sixteen century portolan maps, with vignettes of walled cities, to the putti of Dutch seventeenth century maps, to the elaborate title cartouches of the eighteenth century.


Other maps have been themselves pictorial, for the image was designed to look like some object such as a person or creature. The Leo Belgicus maps from the seventeenth century are among the most famous of these, but there are many others were made over the years.


A new type of pictorial map, though, made its appearance about the second decade of the 20th century. These pictorial maps added a pictographic element to the underlying cartographic rendering, adding a visual narrative onto the geographic background. Rather than having small, illustrative images as an adjunct to the main map, the vignettes became much more the heart of the maps.


These maps were produced not so much to present a topographical image, but provide an informative and amusing picture of a place with the cartography providing the stage for the main roles played by the pictorial illustrations. These maps were usually drawn by illustrative artists for commercial or commemorative purposes. They were used to promote tourism, advertise products or companies, illustrate news events, or other similar non-geographic purposes. These maps were designed to appeal to the eye and mind, adding colorful vignettes, text and often a humorous element.


While issued in large numbers, these maps were ephemeral and so they are often quite uncommon. Many important American graphic artists, such as Ernest Dudley Chase and Jo Mora, created these maps, each developing his own style. Since the turn of the millennium, these maps have become increasingly collectible, with some maps reaching the four figure mark, though on the whole they remain much less expensive. For those interested in collecting maps which are still surprisingly affordable, these are a great choice.


The Rocky Mountain Map Society is featuring 20th century maps, including pictorial maps, as part of its 2015 Map Month. This year, the RMMS is working with both Denver Public Library and the University of Denver, both of which are holding major exhibitions of these maps through the end of June 2015. The exhibit at Denver Public Library focuses on 20th century maps from the collection of the Western History Department and the exhibit at University of Denver is exclusively about pictorial maps, showing wonderful images from a local, private collection. Both are well worth a visit if you are in Denver between now and the end of June.


Tuesday, April 28, 2015

THE SEARCH FOR EL DORADO

Of all the legends relating to America, perhaps the most recognizable myth concerns “the search for El Dorado.” While this phrase is very familiar, the actual story behind the hunt of El Dorado is not. This myth is one of my particular favorites, for it has all the elements of a great story—-mystery, riches, adventures, madness, deaths--and to my delight, maps.


The myth of El Dorado started in the early sixteenth century as the search for “El Hombre Dorado,” that is, the golden man. By 1540, the Spanish in America very much had gold on their minds, and no wonder. In Cuba they had heard tales of a rich kingdom on the mainland of North America, and when Hernán Cortés went there in 1519, he discovered and conquered the immensely rich Aztec Kingdom. Just a few years later, the Spanish in the newly subjugated territory heard of another rich kingdom to south, and Francisco Pizarro soon discovered and conquered the also immensely wealthy kingdom of the Incas. After those two tales of rich kingdoms proved so fruitful, who among the Spanish would be lax in following up any subsequent rumors? Such a story soon appeared, that of El Hombre Dorado, and this led to one of the most horrific, bizarre and unending searches for riches in the history of the Americas.


The story of the golden man began in the Columbian highlands, fairly near present-day Bogota. There are a number of explanations of the true basis for this legend, but they all concern the Muisca Indians of the central Colombian plateau in the area of Lake Guatavita. There seems to have been some sort of religious ceremony concerning a Muisca chief, the lake and gold. One story had this chief coating his body with gold dust and then bathing in the lake, an event shown by Theodor De Bry (engraving illustrated above) and also supposedly depicted in the famous gold Muisca Raft. There does seem to have been some sort of ceremony involving the Muisca and gold, but whatever its factual basis, when the story of a golden man reached the Spanish about 1541, it set off a long series of searches for El Hombre Dorado.


A number of Spanish conquistadors set off in 1541 and did make it up to the area of Lake Guatavira, even attempting to drain the lake to find any gold under its waters. Using their typical methods of persuasion—-including torture—-the Spanish tried to get the Muisca to show them the gold. There was some gold in the area, but not nearly enough to convince the Spanish that they had found the true El Hombre Dorado. Finally the Muisca realized that the only way to get rid of the gold-crazed Spanish was to send them away by telling them, in effect, “Oh, that El Hombre Dorado. Yes, we know where he is, over the mountains that way....”


For the next half century, the search for El Hombre Dorado worked its way slowly across the northern part of South America, from the Colombia highlands, down into the Amazonian basin, working ever eastward. Time and again, the Spanish would arrive in an area that they had been told was the location of El Hombre Dorado, only to find none of the riches they sought even after “questioning” the locals, and then to be told, “Oh, that El Hombre Dorado. He resides over that way...”


A number of major expeditions went in search of this myth, including Francisco Pizarro and Francisco de Orellana in 1541 and Lope de Aquirre in 1560, wasting much effort, expenses, and hundreds of lives, both natives and Spanish. The huge effort and costs expended on the search and the horrors experienced made this legend one of the most powerful of American history. A nice depiction of the madness which consumed the Spanish is Werner Herzog’ movie, “Aquirre, the Wrath of God.”


At some point, the story began to morph in its content as well as location, for the search began to focus on a rich kingdom or city, rather than a man, the legend becoming that of simply “El Dorado.” One man who accepted as true this form of the legend was Antonio de Berrio, who believed the city lay in the Guiana Highlands. Berrio started to search there in 1584 and he heard from the Indians that there was a large lake south of the Orinoco River that was so large it took them three days to paddle across it, and upon the shores of which lay a rich city, that is, of course, El Dorado. He tried several times to find the city, eventually becoming convinced it lay up the Caroni River, a branch of the Orinoco. Berrio was unable to ascend the river, but his delusion was fully confirmed when he met a man named Juan Martinez (aka Juan Martin de Albujar).


Martinez had been on a ship sailing on the Caroni River when its gunpowder exploded. Martinez, blamed for the accident, was left behind as punishment. He eventually made it back to Spanish settlements, claiming that he had been rescued by friendly Indians who took him to a city called Manoa, where the palace was made of gold. He further claimed he was given great riches when he left, but that they were stolen from him on his return trip. Thus it was that El Hombre Dorado now became the city of Manoa, or El Dorado, located on a large lake in the interior of Guiana.


At this time another famous figure makes his appearance in our story, Sir Walter Ralegh. Ralegh set sail from England in 1595, in order to discover “a better Indies for her Majestie [that is Queen Elizabeth] then the King of Spain has any.” Ralegh captured Sa Jose on Trinidad in April 1595 and took Antonio de Berrio captive. Ralegh had heard rumors of El Dorado and was able to convince Berrio to tell him all he knew of this legendary city, a story which Ralegh bought into totally.


Ralegh wanted to convince the Queen to conquer Guiana so he published a report, The Discovery of a Large, Rich and Beautiful Empire of Guiana in 1596. This included a full description of Manoa/El Dorado, conflating many of the old stories about El Dorado. About the same time Ralegh produced a map of northern South America showing the large lake, now named as Lake Parima, and the city of Manoa.


After Queen Elizabeth died, her successor, James I, who immune to Ralegh’s charms, threw Sir Walter into the Tower of London. Ralegh petitioned James to get out so he could go find El Dorado and make the monarch rich. James was convinced enough to allow Ralegh out on this mission, but only on the condition that he not get into a fight with the Spanish. Ralegh set off for South America in 1617, and through a series of misfortunes, including battles with the Spanish resulting in the death of his son, returned to England a failure. James threw him back into prison and soon thereafter, at the urging of the King of Spain, Ralegh was beheaded; one of the last deaths directly related to the legend of El Dorado.


Though his search for the fabled golden city failed, Ralegh did manage to put El Dorado on the map. Based on Ralegh’s book, Joducus Hondius, Sr., Theodor De Bry, and Levinus Hulsius all issued maps by the end of the sixteenth century showing Lake Parime with Mano or El Dorado on its shores.


The lake and its golden city continued to appear in the seventeenth century, changing shape and with Manoa moving around a bit.


In the eighteenth century, the lake began to be called into question. Some of the more scientifically inclined (and skeptical) cartographers such as Vincenzo Maria Cornonelli and Guillaume Delisle either showed the lake with notes calling it into question, or didn’t show the lake, but included notes mentioning its possible existence.


By the end of the eighteenth century, Manoa was pretty much forgotten and “El Dorado” had simply become a phrase meaning hopeless quest. Manoa/El Dorado soon disappeared from most maps, though interestingly, Lake Parima, which was simply one more fictional element of the El Dorado myth, did not disappear along with the city. This was an excellent example of how once some location—-real or fictional—-appears “on the map” it tends to stay on the map.


In the early nineteenth century, the famous German explorer and scientist, Alexander von Humboldt, went looking for Manoa and Lake Parima, concluding that neither had any basis in fact. His prestige was such that this tended to remove Lake Parima from many maps, but the lake did continue to appear on others well into the century.


Tuesday, April 14, 2015

Map of Paris by Vince Szilagyi

One of my favorite jobs at the shop is trying to determine the origins and history behind the maps and prints in our inventory. Recently we acquired a wonderful map of Paris that took me on quite a journey to figure out its bizarre and interesting history.


This is the wonderful and bright folding map of Paris we recently acquired from a collector. The first thing I do when dating maps of Paris is look at the size of the city itself. For much of its modern history, Paris was a much smaller city surrounded by a ring of well-to-do suburbs like Montmartre and Issy. Then in 1860 as part of Georges-Eugene Haussmann's famous plan to redesign Paris, Emperor Napoleon III annexed these suburbs and dramatically increased the size of the city. This map shows Paris with its pre-1860 borders, with some of Haussmann's early improvements like the Bois de Boulogne Park.


Everything about this map’s depiction of Paris, from its boundaries to its railroads, places it between 1856 and 1860, except for one. This map also includes the Eiffel Tower, which was not designed, let alone built until the late 1880s! An explanation for this strange historical juxtaposition can be found with a little digging. It is most likely the lithographic stone that was used to produce this map was originally made to show the changes in the city of Paris Haussman had completed in the late 1850s. However, when city of Paris annexed the surrounding suburbs this map became severely out of date, as it now only showed a fraction of the city's size and attractions. This stone was probably shelved and a new one created that showed the new extent of the city. Most old lithographic stones that were obsolete were eventually redrawn or recycle into something new.


However, this old stone likely got a new life thanks to the 1889 World's Fair in Paris. The 1889 World’s Fair was hugely popular and millions of people flooded into Paris to join the festivities. This also created a huge market for maps of Paris that these travelers could use. It was this demand that could have brought new life to the old 1850's lithographic stone we mentioned earlier. Seeking to capitalize on the new demand for Parisian maps, the British publishing company of Charles Smith & Son most likely bought the old 1850s lithographic stone of Paris and simply updated it by adding in the fairgrounds and the Eiffel Tower. Evidence supporting this addition is the fact that while all the other Parisian attractions shown on this map are outlined in heavy black and have light red and green coloring, the Eiffel Tower and fairgrounds are in a very light outline and have no color. This would seem to suggest that these were added to the map at a different time than the rest of the attractions.


Further supporting this idea is the fact that the Tower depicted on the map looks slightly, but noticeably different from how it appears in real life. Smith & Son most likely based their depiction of the Tower off of the numerous sketches of how the yet unfinished tower was supposed to look, rather than waiting for it to actually be completed. This sort of situation was not wholly unusual in 19th century mapmaking, but it certainly resulted in a wonderfully weird map that I personally had never seen before.


Tuesday, March 31, 2015

Meat Extract and Chromolithography

A rather unusual juxtaposition of subjects, but one which is delightfully represented in a set of six cards issued by the Liebig Meat Extract Company in the late nineteenth century.


Baron Justus von Liebig was a German chemist of considerable note, considered one of the founders of organic chemistry. Concerned about providing inexpensive nutrition for Europe’s poor, he invented a method for producing extract from cattle carcasses, supposedly preserving the flavors and nutrients of the beef. The cost for the process proved considerable, but a young Belgian, George Christian Giebert, came up with a feasible plan to produce the extract in Uruguay, where land and cattle were plentiful.


In 1865, Liebig and Giebert formed the Liebig Meat Extract Company, with its factory in Uruguay, and it went on to great success. Not only did the company make its meat extract a popular item for kitchens throughout the world, but it also introduced both Oxo meat extract and beef stock cubes, not to mention Marmite (which I think is pretty awful, but which my wife loves!).


In 1872, the company started to issue promotional trading cards on all sorts of subjects, usually issued in sets of six cards on one topic. They were produced initially in lithography, then chromolithography, and finally offset printing. These cards were hugely popular and supposedly by the time Liebig stopped producing them in 1975, they had produced over 10,000 different cards!


The early chromolithographed cards are the most collectible and I was surprised and delighted when I came across a set of the Liebig cards on the subject of chromolithography. Chromolithography is a printmaking process, developed by the late 1830s, where a colored subject was produced by using multiple lithographic stones, each using a different color ink. The Liebig set, “Les Phases de la Fabircation d’un Chromo Liebig,” shows all the steps in making a Liebig trading card set. Included is a wonderful demonstration of the process, showing the development of a portrait of Liebig through six stages from just two stones to the finished image having used twelve stones.


Card 1: The first card shows the artist composing the subject in his studio. He is drawing a water color onto a sheet of paper, carefully working on an image of the exact size of the intended print. The portrait of Liebig is printed in gold and yellow and is barely visible.


Card 2: This card shows the quarrying of the limestone to be used for making the prints. Though many different stones were tested, it was limestone from Solnhofen in Bavaria which proved to be the best. The portrait of Liebig now has had red and blue ink added, and the visage is beginning to appear more distinctly.


Card 3: This image shows the process of transferring the image to the multiple lithographic stones to be used. The explanation on the verso explains that an outline of the image is transferred, in an inverted manner, to each stone which has been polished with pumice powder. That part of the image appropriate to the color for each stone is then added to that stone for a total of twelve stones. Liebig’s portrait is now quite visible, having been printed with six colors.


Card 4: This card shows the testing of the stones. Each stone is cleaned with nitric acid, so that the ink will not adhere to the stone except where the image has been drawn on it. Then the stones are tested, and the different colors combined onto sample images in sequence, working from the lightest to the darkest ink colors. Liebig’s portrait now appears with 8 colors having been used.


Card 5: Once the test stones are perfected, the final images are printed on a rotary press, being compared with the test images. Other than the placing of the paper on the press, this process is all automated. The portrait of Liebig is now almost finished, with 10 colors having been printed.


Card 6: This shows the cards being cut from the larger sheets and then packed. The portrait, with 12 stones used, is complete.