Abraham Ortelius (1527-1598) is often called the ‘father of modern cartography,’ particularly because in 1570, he issued the first edition of his
Theatrum Orbis Terrarum, which is considered the ‘first modern atlas.’ The publication of this atlas marked an epoch in the history of cartography, for it is the first uniform and systematic collection of maps of the whole world based only on contemporary knowledge since the days of Ptolemy.
Ortelius began his career as an engraver and “peintre des cartes,” (map colorist), eventually becoming a dealer in maps and books. As such he met and befriended the great Gerard Mercator and began to produce as well as sell maps in Antwerp in 1561, starting with an eight sheet world map. In the sixteenth century there was a great increase in interest in maps and charts, and Ortelius, as a businessman with a passion for history and cartography, was at the forefront in meeting this demand. Through his collecting and his antiques business, Ortelius became acquainted with a large network of the preeminent cartographers in Europe and thus was able to research the best contemporary maps, becoming the greatest expert of his day in the bibliography of maps.
He decided to produce an atlas of the entire world, the
Theatrum Orbis Terrarum, or 'Theater of the World,' done on a systematic basis in a uniform style, beginning with a map of the world, then maps of the continents, followed by regional maps. Ortelius based his work on the best maps available, drawing all the maps himself with the celebrated Frans Hogenberg cutting most of the plates. Unlike other atlas-makers, Ortelius cited the authors of the original maps from which he compiled his work. The result was that
his maps were some of the most attractive and accurate of the late sixteenth century.
The Theatrum was hugely popular and influential, and Ortelius was made the royal geographer to Phillip II, expanding his atlas with new maps, and in 1579 to include the Parergon, a historic atlas intended to supplement the Theatrum. When he died in 1598, the Theatrum had been published in 25 editions in five editions, with two other languages added after his death. Thus it is not only for his unprecedented achievement in issuing the first modern atlas, but also for his thoughtful and rigorous methodology, that Ortelius belongs amongst the first rank of cartographers.
What a fascinating site! I'm afraid I've found a dangerous rabbit hole here! I have many, many pieces that my grandmother left me. There are prints from copper engravings, prints that appear to have been made from wood block, some signed individually, and some with pencilled sketches in the margin of the piece. I do have a general question for you as I go through all of these: I'm uncertain about the quality of materials in which some have been framed - should I CAREFULLY remove the piece so as not to have it possibly deteriorate? Thanks!!
ReplyDeleteAnything which has been framed for a long time (say, before the 1980s) is likely in material which is not good for the paper. It is always a good idea to carefully remove the paper, though that may not be enough to preserve the item, as the acid from the matting, etc., may have already migrated to the paper.
ReplyDeleteThanks Chris, I'll work carefully!
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